Over the last couple of years, I’ve been watching how video dramas have been taking off online and engaging audiences in a different way from how film or TV dramas have traditionally engaged viewers.
Up till recently, movies have relied on audiences going out and gathering at a given time at a given place and all sitting down together to watch a film, munching popcorn and drinking soda. TV dramas need their audiences to gather at a given time, though they can stay home to do this, in front of the telly, munching whatever comes to hand from the fridge. Technologies such as DVD and recording devices changed those behaviours to the extent that we can now choose the time we watch a film or TV drama but we are still bound to the place we do that ie usually a living room with a telly in it. We still settle down for a stretch of 40-90 minutes, sometimes more, to watch an episode of a TV drama or a movie - and it is sociable in so far as we are there in the same space with our friends or we talk about it later with our mates or we text / chat on the phone during the programme.
There are a number of online video dramas that are changing the rules of engagement. One example is Sofia’s Diary, which is being shown on the social network, Bebo.com. The episodes are uploaded twice a week and run for around 2-3 minutes. It’s an online soap opera around the life of a 17 year old girl, her family and friends with the occasional to-camera video diary. You don’t have to sign up to Bebo to watch it but if you do sign up, you can interact with the “Sofia” and the Sofia’s Diary network of “friends”. You can become a “fan” so you can receive email alerts when the site is updated eg with photos or another episode. You can opt to receive text alerts twice a week to be kept up to date with what’s happening. You can also add comments to each episode - many comments are inane but in respone to one episode where one of Sofia’s friends dies, many of her Bebo friends shared their own experiences of bereavement and grief.
The production quality is high - and, no wonder, as it is backed by Sony Pictures, developed from the original Portuguese online hit. The show is also the first online series to make the transition across from the internet to good old fashioned broadcast TV, having been bought by UK’s Channel Five.
I think that this is likely to be the future of drama series - not being tied to TV or film or the internet but across many platforms, including mobile (and books, too), with added features such as interactivity with the show, its characters as well as other fans. As the teens and young adults who are the current fans of Sofia’s Diary grow up, they will be used to this kind of interactive relationship with their entertainment and media, and no doubt come to expect it.
For writers and creatives, it’s becoming increasingly relevant to think beyond the medium you are currently used to working in, whether it’s print, TV, film or radio and to start experimenting with other media and to think about building in interactivity. For businesses who are interested in engaging with a public that is growing ever more multi-modal, it’s time to explore multi-platform, multi-media ways of grabbing - and holding - the attention of your customers and clients. Sure, not every different media is going to suit every kind of narrative or every kind of customer and certainly, a frenzied spray gun approach is not going to work either. But if you don’t explore new ideas and fresh ways of doing things in a strategic considered way, you could miss out on opportunities to expand the reach of what you have to say.
For more on interactive online dramas, take a look at What happens next…? where “Each of our show’s episodes ends with a decision for you to make and your vote determines the direction of the series itself.”
This post is part of my occasional series on Digital Narratives. If you are a fan of any online dramas or other digital narratives/ stories or if you’d like to share your views/ reviews of online storytelling, please add a comment and let me know.
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