Archive for September, 2007

Social Network Publishing

One of the characteristics of social networking online is the interactive, community element. On a blog, readers can comment on posts. On a photo-sharing site like Flickr, users can pool their photos into Groups. On YouTube, you can post a video response to a video you’ve just watched. On Wikipedia, you can edit the online encyclopaedia or discuss an entry with other users.

A new publisher, SlushPileReader.com has just launched where authors can submit their manuscripts and readers can vote on whether or not that manuscript should be published as a book.

On the Book Standard, one of the company’s founders, Johanna Denize is quoted as saying:

“The world of literature is en extremely subjective world. An author may only have one shot at having his manuscript read and if the particular editor or agent who reads it doesn’t like it—that’s it. Game over. Slush Pile Reader will change that and give authors a chance to be read not just by one person but by many.”

When a book is selected for publication via this reader voting process, the company is committed to publish it in the traditional way and the author is paid an advance along with receiving royalties.

Book Standard comments:

“Slush Pile Reader is launching at a great time, as many publishers are taking into consideration the public’s opinion of a manuscript before publishing it. Simon & Schuster is one publisher that has taken special care, joining with Media Predict to decide which proposals are likely to succeed and teaming up with Gather.com for the First Chapters and First Chapters Romance competition, where Gather.com members vote on excerpts from manuscripts on the site.”

The one thing that’s not clear to me is whether the readers are paid anything for their “work” by giving input to the publishing process in this way. Perhaps there’ll be enough people who’ll do it for the fun of it - and who would enjoy being in the influential position of making or breaking the career of a would-be author.

Posted by Yang-May Ooi on Friday, September 28th, 2007 at 2:00am

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Copyright in the Digital Age

This is a cross-post from my communications and social media blog, ZenGuide

Last week, I gave a presentation at the Copyright Licensing Agency’s annual open meeting about The Impact of Web 2.0 on copyright issues. It was a packed hall with over 180 people, many of them standing. The delegates ranged from authors and content producers to publishers and librarians and knowledge management professionals in education and business organisations. Althought I couldn’t make it for the whole of the round table discussion on digital information and copyright chaired by Chris Bryant, MP, I managed to catch the tail end of it. I also had the chance after the event to speak to a few of the delegates, including representatives from the BBC, a photographic rights agency, a publisher and a corporate knowledge management professional.

I’m jotting down here some of my impressions of the issues from the conference - these are no more than impressions and vignettes of the discussions as they were aired and raise more questions for debate rather than giving firm answers.

  • The government is making funding available for schools to help students become more internet- and social media- literate but there are apparently delays due to concerns about schools using materials off the internet in breach of copyright. However, there are apparently special sites offering copyright-free material for schools and educational establishment for just this purpose. But, overall, can the government with all its unwieldy bureaucratic machinery be the right instrument for change is the fast moving area of online technology and networked communication and enterprise?
  • Is digital rights management here to stay? Or will content producers like the BBC have to accept the fact that they will have to let go off their rights to a product some time after it’s been produced?
  • At the moment, the likes of the BBC can still find a market to sell its high quality products like its natural world series etc due to the fact that pirated versions on the internet are of low quality. It is probably not long before the technology will be freely available to upload high quality pirated versions online. What then for the original content producers?
  • Is there a future for book writers when digital readers become more widely available? At the moment, book lovers are still attached to the physical book but as the young techno-loving iPod wearing millenials and their children start to outnumber us oldies, will they adapt more enthusiastically to electronic book readers? If so, will that be an opportunity for “bijou” writers who don’t produce blockbusters to gain a wider readership through digital distribution because they won’t be at the mercy of the bookshops for distribution? Or will it be a threat because their work can now be easily copied and freely distributed illegally?
  • Chris Bryant mentioned the estate of German playwright Bertolt Brecht. The estate were apparently restrictive for a long time in granting rights for Brecht’s works to be used, quoted, performed or edited. For example, his plays in their original would run for over 3.5 hours which is difficult to market to today’s theatre-going audiences. However, they have recently been more open in rights granting and the result has been that more Brecht plays are being performed and the increased exposure generally from the dissemination of his works through freer rights has resulted in greater revenue returns for the estate.
  • The panellists in the main discussion all called for flexibility in managing copyright - yes, it is important to protect and value the products of creativity and hard work but in this digital age, it’s important to be flexible to enable the sharing of information and knowledge.
  • I was struck by the comment of a university representative about the difficulties of printing off 50 copies of an online article to include in a student pack for discussion on one of the university’s courses. It’s ironic in that the founding principle of the World Wide Web was that the technology was meant to make information freely available for all…

What do you think? Have you had experiences around copyright issues and social media or online digital technologies? I’d love to hear your views - please add a comment or email me.

Photo: of Sony Digital Reader thanks to askdavetaylor.com

Posted by Yang-May Ooi on Tuesday, September 25th, 2007 at 1:00am

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Lacrosse TV

Following my post the other day about my horror of playing lacrosse at school, I came across this online channel dedicated entirely to the game of lacrosse. It’s US based - of course. I had no idea it was such a big sport in America!

This episode gives a little bit of the history of lacrosse while discussing a major tournament, the Tewaaraton Trophy.

You can see all the episodes in the Behind Lacrosse series at Blip.tv

Posted by Yang-May Ooi on Monday, September 24th, 2007 at 1:00am

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More Tips on Self-Publishing

Regular guest blogger Caro Fraser added a comment yesterday to my series on self-publishing. Caro is launching a useful series on her blog with more advice and tips for self-publishing authors. That’s such a great resource that I want to share it with you as a specific blog post.

She writes:

Since I started to go down the self-publishing road, I’ve found that one of the topics which exercises self-publishing authors most is how best to market and publicise their book. I’ve invited the author Mary Cavanagh to submit a series of self-help articles on this subject, and her introductory piece will be published on my blog (www.caro-fraser.com/blog) this coming Monday, September 24th.

Mary deals with everything a self-publishing author needs to know about promoting their work - organising a book launch, preparing a press release, drumming up local interest, getting reviews - in a gutsy, practical way.

I’d like to invite all self-publishing authors out there to read Mary’s pieces and join in the discussion. Please go to the blog, hit subscribe, get the benefit of Mary’s wisdom, and share some of your own experiences.

With luck, we’ll all benefit! Caro

Do go and check it out and if you join the discussion, please mention Fusion View!

Posted by Yang-May Ooi on Saturday, September 22nd, 2007 at 1:00am

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A unique view of the Arctic

My cross-cultural view tends to focus eastwards and southwards to South East Asia and the Far East - inevitably, since my roots are in Malaysia and Chinese culture. But there is of course so much more world out there. So from time to time, I’m going to explore blogs from other countries and cultures here on Fusion View to widen my horizon and learn a bit more about the world beyond.

To start off this globetrotting journey, I came across the photoblog, A Unique View of the Arctic by Thomas Laupstad in Norway, who says on the About page, “I want to show you northern Norway from my point of view.”

He has some fantastic photos of Norwegian landscapes and captures that special northern light beautifully.

He writes that he took this photo in February. “At this time of the year the sun is only shining for a hour or two and in this photo the sun has disappeared below the horizon. The golden reflections are coming from sunshine higher up in the snow filled mountains. It was a very beautiful sight.”

I’ve never been to Norway and it seems unimaginable to me to go through months on end where there is only an hour or two of sunlight. I find it difficult enough here in the UK when it gets dark at 3.30pm in December. It must be so strange to wake up in the dark, spend the day in the dark and go to bed in the dark.

Thomas also has other amazing photos on his blog - one of a pine forest covered in snow, also taken in February. Of this one, he writes, “I think the scene looks like it is taken straight out of “The Chronicles of Narnia” with all the snow hanging on the Norway Spruce.”

If you’re a reader from Norway or a Scandinavian country - or with family or roots there, I’d love to hear from you - do add a comment or email me.

Posted by Yang-May Ooi on Friday, September 21st, 2007 at 2:00am

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Free books

The print on demand revolution has been taken one step further in China where readers can order free, personalised books online - the catch is that they have to agree to advertising being inserted.

According to China Business News:

When selecting which books they want from BookGG, users can choose from a number of sponsors who wish to advertise in the books, and how many adverts they are willing to have. The location of adverts - front, back, middle or in page corners - can also be specified. If users agree to have enough adverts, the books will be provided to them free of charge.

Customers can also ask for books to be customized, for example, by having their names printed on the cover.

Once customers have made their selection, BookGG re-binds the books it acquired from publishers, inserting whatever adverts have been selected, before dispatching them.

You can read the full interview with Shen Bo, the publishing company’s president at China Business News.

Similar “permission”-based business models are taking hold in the mobile phone industry where content providers offer free content to mobile users if they agree to view adverts - or premium versions if the user prefers not to have ads.

Is there a business model for self-publishing authors to find investors/ venture capitalists for their book in exchange for advertising ? Certainly, product placement with funding in fiction has already occured - I think BMW offered prizes for short stories featuring their cars and I seem to recall a famous sex-and-shopping female novelist having designer brands sponsor one of her books (can anyone remember the author and which book it was?).

Photo: thanks to gigijin from flickr.com

Posted by Yang-May Ooi on Wednesday, September 19th, 2007 at 1:00am

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People in Order

Here’s a fun counting game.

The drum is a bit annoying but I found myself hypnotically keeping count in my head to see if I could keep track of the people count …

Posted by Yang-May Ooi on Monday, September 17th, 2007 at 1:00am

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Horror of Sports

My young nephew started boarding school last week and all of us were excited and anxious for him all at the same time. I remembered my first week at boarding school and all the new experiences to take in, the main one being that this was not home and I had to learn to adapt to living with hundreds of other girls who were all in the same boat as me.

One of the other difficult things I had to get used to was playing sport. We’re not a sporty family and in Chinese tradition, there is a veneration for “scholars” - ie “swots” to the Brits - and much less respect given to sporty types who are considered “all brawn and no brain”. So my siblings and I were never encouraged to play sports when we were in primary school in Malaysia. We all wore glasses at an early age and read lots of books. At P.E. time, my swotty friends and I would stand around on the sidelines while the other girls did star jumps etc and the teacher never tried very hard to make us join in.

So imagine my horror at being thrown out into the autumn afternoons in my first term at school in England to go and play lacrosse. The air to my tropical skin was icy. Sometimes it was grey and drizzling and in such conditions in Malaysia, we would stay indoors
or be sure we had a brolly with us. But while I hesitated on the doorstep, the other girls would pound out into the damp - and the sports mistress would hurry me along with words to the effect of: “A little bit of rain never hurt anyone”.

Lacrosse - or “lax” as the girls called it - was originally a Native-American sport. You can see a game of it in the Daniel Day-Lewis film “The Last of the Mohicans” - and it was pretty brutal, I recall. A History of Native American Lacrosse states rather ominously, “In the past, lacrosse also served to vent aggression, and territorial disputes between tribes were sometimes settled with a game, although not always amicably.” In photos of the modern American version of the game, the players wear body armour, as you can see on the right.

But we’re talking here about a British gals’ boarding school. Mention safety and body armour and you’re likely to get the response: “Stuff and nonsense, don’t be so namby-pamby - like those Americans”.

So there I was, much tinier and scrawnier than many of the solid, broad-shouldered Anglo-Saxon gals who had been brought up all their lives on brisk walks, fresh air and a belief that exercise and sport were good for you - for your health and your character. They all seemed to cradle the lax stick with natural athleticism and be able to run across the huge, enormous, vast, ginormous tracts of land that was the playing field without breaking into a paroxysm of gasping and panting and coughing. The ball is small but very heavy and yet, they could throw and catch it with the lax stick deftly and with control. My ball always just plopped onto the ground a few feet away from me - and I was terrified whenever I had to catch it ungainfully with my outstretched stick in case I missed and it hit me on the head.

But the most horrifying moment was when we were actually playing a game and I had the misfortune to be in the wrong place at the wrong time and the ball landed in my lax stick. The gals from the other team would all come bearing down on me, thundering like a herd of bison, mud kicking up in clumps. My team-mates would be calling to me to pass them the ball or to run into an opening but invariably, I’d scamper about rather ineffectually or just plain freeze.

Now, the thing about lax is that it all happens around the level of your head. You cradle the lax stick upright, the netty bit holding the ball switching back and forth in front of your face as you run. If someone is trying to get the ball off you, they whack your stick with theirs to knock the ball out. You’re supposed to body block them, twisting the stick away from attack.

So imagine a herd of thundering bison storming down at you brandishing lax sticks as if about to swipe your head off.

It just seemed so much easier to give the ball to them - like what you’re supposed to do if you’re ever mugged. Just give them the wallet or the money. Or the ball. So I’d make a pathetic attempt to throw the ball - not a proper pass to one of my team-mates but more a “here, take it, I don’t want it” kind of a gesture.

And off they would thunder, scrumming after the ball, trying to pick it up from the mud or tackling another braver gal, cracking and whacking at each other’s sticks. And I’d be left alone. Relieved and alive.

These days I’m a little bit more robust and a little bit more sporty. I go for runs. I even run in the rain. I’ve turned British, after all. But whenever there’s a team sport - like at various law firms where I’ve worked, some bright spark rustles up a game of football or rounders with another law firm or a client - my heart sinks and my stomach turns itself into knots. OK, it’s not lax or anything terrifying they’re proposing but the trauma and humiliation of team lacross and letting my team-mates down has scarred me for life!

Photos: thanks to devilblink via flickr.com and sportcamp101.com

Posted by Yang-May Ooi on Friday, September 14th, 2007 at 2:00am

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PoetCasting

For all you poets and poetry lovers out there, Poetcasting.co.uk is an enterprising project by a young poet to record and podcast poets in the UK.

The website says:

“The PoetCasting project was created by Alex Pryce, an 19 year old student and poet. She was concerned that performance and academic poets were becoming increasingly isolated from each other, and felt that the poetry community wasn’t aware of the potential the internet holds for the future of all media, including poetry.

The aim of PoetCasting is to work with poets throughout the UK to podcast their work. The project will work with performance poets, published poets, new poets, established poets and everything in between.”

If you’re a poet looking to widen your audience, this project could be a great opportunity to reach out across the internet. There’s a contact page for Alex on the site.

If like me, you like poetry read out loud, you can go and listen to their podcasts - no more trundling out on cold, rainy nights to poetry readings in smokey cafes or pubs , just pure poetry in the comfort of your own iPod…

~~~~~~~~~

UPDATE: I heard from Alex Pryce this morning (that was quick!) with the following:

“Hey!

Just a quick note to thank you for the heads up on FusionView for
PoetCasting.

If you know any poets you’d reccomend for PoetCasting, I’d be more than happy to follow up any suggestions!

Yours,
Alex”

I hope you’ll contact Poetcasting with your recommendations - please mention Fusion View if you do.

Posted by Yang-May Ooi on Thursday, September 13th, 2007 at 1:00am

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Researching a Non-Fiction Book

I’ve just started work on my new book project New Trends in International Public Relations. As you can guess from the title, it’s not a thriller or a novel. It’s a non-fiction book aimed at business communicators, PR practitioners and marketeers.

This is my first non-fiction book and it’s an exciting challenge - but also a little daunting.

As with my two novels, my co-author Silvia Cambie and I started with putting together an outline. We then sent this to our commissioning publisher Kogan Page for them to approve it before we started any other work. Now that they’ve given us the go-ahead, stage two is the research.

I also started the writing process for my novels with research.

For The Flame Tree, I learnt all about geology and construction to make the central development project in the story - and the ultimate disaster at the heart of the book - as believable as possible. For Mindgame, I researched mind manipulation techniques and Creutzfeld-Jakob disease (the brain disease that is generally known as “mad cow”).

But the great thing about fiction is that you can take the key elements of your research and blend it with your imagination to re-create hard facts and reality into the fictional world that you’re imagining. You can bend the scientific facts so long as the outcome is within the realms of possibility. You can also use verbal sleight-of-hand - for example, in The Flame Tree I needed the hero Luke to discover a fatal flaw in the construction project that would mean that it is unstable and likely to collapse. In a short paragraph, Luke works on the data he has found and through clever calculations, he finds discrepancies and realises that the foundations are too shallow and the blueprints for the building have been falsified. That’s all I need to say - I don’t need to prove to you his calculations.

In a non-fiction book, I have to prove everything. Every statement I make has to be based on some authority and I need to cite the source. Yikes.

So my research process for this new book project is much more meticulous and I am careful to keep a note of the web link, the name and contact details of anyone I have approached for their input, the name and page number of any book I refer to. Interestingly, blogging has really helped me in this process - without thinking about it, when I blog, I always add links to sources where I’ve derived some information or to other websites where you could find further writing on a particular subject. Non-fiction citations are similar, I guess - the main difference is that instead of a link, I would add a footnote.

If you’re interested to see how the book is going, I’ve posted my first bit of research for the book on my communications and social media blog, ZenGuide - it’s part of the introductory chapter and tells you all about the world’s first website.

Related posts

Nicola Stevens on Writing Business Books

Photo: thanks to lancs.ac.uk

Posted by Yang-May Ooi on Wednesday, September 12th, 2007 at 2:00am

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Fusion View is created by Yang-May Ooi, author of The Flame Tree and Mindgame, legal thrillers set in Malaysia and London, first published by Hodder & Stoughton.

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